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Old Vine Studio

The Art of Margaret Hage
  • my work
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    • Art Textiles
    • Experimental Art Textiles
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Art Textiles 

© All images are the original work and property of Margaret Hage and are subject to copyright. 

Working with textiles is a natural response to the story of my life. My love for working in any textile medium was seeded by both my grandmothers who taught me to sew, mend, stitch, knit and crochet. Perhaps one of the most significant legacies that they left with me was my appreciation for using vintage materials and repurposing materials. A strong sense of waste not was installed in me. I am very fortunate to have some of their. along with some of both Great Grandmothers, work box and sewing machine drawer contents. There are buttons, trimming and fabric remnants kept, as well as a large collection of textiles I have gathered during my travels over many years. I went on to study art embroidery, tapestry weaving, spinning and weaving and have continued to work with textiles over may years, often using my found and precious materials, vintage and antique treasures. I print, paint, dye, stitch, transfer images use digital techniques, hand embroider and stitch, machine embroider and stitch, quilt, and sometimes combine small weavings, knitting and crochet into my work. My need to continually experiment and push boundaries about what I understood were traditional constraints is a very organic process of r me. I embed the 'what if' factor into almost every piece of work I do. Mostly I do not separate the way I stitch from the way I might paint or draw,  the way I collage to the way I piece a quilt, to me they are similar in many ways, just that I will use thread or fabric instead of paint or pastel to paint and  sewing machine instead of charcoal stick or brush to draw. I'm enthralled by textiles, in any location I have travelled to. I have a large collection of ethnic, cultural, and vintage textiles to inspire me and as a reference for my work. 

Featured
Stories of Limestone, Hand Embroidery, Painted Linen
Stories of Limestone, Hand Embroidery, Painted Linen

Art Textile with intense hand embroidery stitched onto  linen. Centre embroidered work has a pieced  border of hand painted linen and stitched detailing. Work has been backed by pure cotton quilt batting and cotton and laced over acid free board. The work is then mounted onto hand painted linen back and  box framed.

 

 

© All images are the original work and property of Margaret Hage and are subject to copyright. 

Peace No Less Than All Parts of this Earth, Machine and Hand Embroidery, Stitched Collaged Art Textile
Peace No Less Than All Parts of this Earth, Machine and Hand Embroidery, Stitched Collaged Art Textile

Art Textile 

Broken Soul, Machine Stitched Drawing and Hand Embroided Art Textile
Broken Soul, Machine Stitched Drawing and Hand Embroided Art Textile

This work was a response to mental health issues, because I have heard much about the affects of mental health over the last few years and it is an issue that has become very topical for our region, as it has throughout developed societies. 

The free motion machine drawing is based on a pen and ink life drawing I had done on paper. I translated this drawing freely by observing my original work on the wall in front of me. The original drawing is on a full size A1 drawing paper and so this had to be a spontaneous transcription. It is also done without taking the needle out of the fabric, it is continuous line work, so a true drawing in every sense. The thread and needle become my drawing tool and fabric becomes my canvas. This drawing was first completed using my machine, then painted and hand embroidered and silk appliqué added in a collage technique.

My idea was about the soul becoming broken by having to cope with the impact of behaviour and the consequences from those you love with mental health problems. This is why I have not completed the full figure in machine stitching and used hand stitches to emphasise the thought of being broken apart. The blue is symbolic and represents the grief this person is feeling. There are fragments of appliquéd and collaged silk georgette to represent the fragile state that this person is trying to cope with.

I have hinted through my drawing that this is a woman (and my original life work is of a woman) because it is generally women that suffer most from this grief.  A viewer may interpret this in a number of ways, it is very contemplative and soul searching work. It could be that this person has lost a love one and is grieving, or has to face something very difficult. 

I have also intended that there is hope in that the machine stitching is in black thread, strong and deliberate and that although this image is of a Broken Soul there is an intention through strength that she will survive and be strong. It is the moment that some or many of us have felt, that we can no longer go on we feel broken  and exhausted, and then something seems to pull us through and we survive. 

 

The work is then stretched and laced using linen thread and backed and mounted before framing

 

Bridge at Ross, Tasmania, Machine and Hand Embroidered Art Textile
Bridge at Ross, Tasmania, Machine and Hand Embroidered Art Textile
Looking Down on the Gorge, Flinders Ranges South Australia, Hand & Machine Embroided Art Textile
Looking Down on the Gorge, Flinders Ranges South Australia, Hand & Machine Embroided Art Textile
View from the Lake, Almost Night, Machine Stitched and Hand Embroidery Art Textile
View from the Lake, Almost Night, Machine Stitched and Hand Embroidery Art Textile
Journey Through the Golden Triangle, Hand Embroidery on Felt & Layered Vintage Stitched Fabric
Journey Through the Golden Triangle, Hand Embroidery on Felt & Layered Vintage Stitched Fabric
Flinders Ranges sketching in stitch .jpg

margarethage@me.com